The bench is shaped by the invisible yet forceful presence of air. It begins with a grounded vertical leg, the point where the imagined force first strikes, and extends outward as if stretched and drawn by a steady current of wind. The form gradually lifts and tapers, transitioning from structure to flow. Its contours are smooth and directional, echoing how wind erodes and softens surfaces over time. The volume reads like a moment of motion paused, a spatial memory of air moving past and sculpting as it
goes. This is not a literal depiction but a translation of movement into form. The bench doesn’t just sit in space; it channels flow, resistance, and release.